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In 2019, ten Indian artists used the 36 Days of Type Instagram challenge to test ideas across fantasy, food, fear, nature, street life and emotion. Scroll.in’s May 5, 2019 feature captures how each participant made the daily letter-or-number prompt personal—through watercolor, digital coloring, photography, natural materials, texture studies and writing.
What was the 36 Days of Type challenge?
In its 2019 account, Scroll.in described 36 Days of Type as an open-call project begun in 2014 by Spanish graphic designers Nina Sans and Rafa Goicoechea. Participants interpreted a letter or number each day for 36 days, sharing their work on Instagram with #36daysoftype. The feature says selected designs might appear in the project gallery; it does not establish whether the format or gallery process remains the same today.
The 2019 challenge began April 2, according to the feature. The ten profiles show how one shared prompt could lead to very different kinds of image-making, from a tightly connected series to daily experiments with materials and subjects.
Ten artists, ten approaches
Rajasee Ray: fantasy worlds and digital color
Ray built 36 fictional worlds inspired by fantasy books, including The Lord of the Rings and Harry Potter. She had recently begun coloring digitally and using Procreate, and said the series helped her become more familiar with the app.
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Ameya Narvankar: natural forms and witchcraft
Taking part for a fourth time, Narvankar moved away from an initial idea based on Sabrina and toward research into witchcraft in the Middle Ages. He used natural forms to construct letterforms. The feature reports that he was inspired by the possibility that some women accused of witchcraft had been healers; that is his reported inspiration, not a historical conclusion established by the article.
Reshma Srinivas: food, memory and watercolor
Srinivas illustrated Indian foods including Maggi noodles, idlis and coffee. She drew on memories associated with food and wanted to introduce its variety to people outside India. She also used the project to work on her watercolor technique.
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Nori Norbhu: phobias with a hopeful frame
Norbhu made a series about phobias, drawing aesthetic inspiration from vintage stamps and old parchment. Her stated aim was to frame the subject positively, around overcoming fear.
Sandhya Prabhat: endangered animals
Prabhat’s “Endangered Animals” series used letterforms to call attention to species under threat. The feature gives a tiger-shaped T and a red-panda-based R as examples. Prabhat chose unusual colors to draw attention to the message; the article does not quantify the conservation status or extinction risk of any species.
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Ketaki Joshi: fragile materials from the garden
Joshi composed images from flowers, leaves, vegetables, herbs and other small natural materials, including finds from her garden in Jaipur. She described working with fragile ingredients as challenging, while making the images, filming the process and pairing it with music as therapeutic.
Shreya Arora: testing texture and medium
Arora explored different materials and textures in daily illustrations. She said the challenge blurred the boundaries between typography, illustration, animation and 3D modeling—a way of working that treated each letter as an opening for experiments beyond conventional type.
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Deepti Sharma: familiar cartoon characters
A first-time participant, Sharma drew cartoon characters such as Olive Oyl and Uncle Scrooge. She chose characters she knew and whose designs had inspired her.
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Lunawara focused on Indian street vendors, documenting them with photographs and exploring the subject through his type series. The feature recounts that a reader in Singapore recognized similar vendors there, an instance of the cross-cultural connection Lunawara’s subject could prompt. He called the challenge “a great collective energy to tap into.”
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Shweta Sharma: emotions paired with writing
Shweta Sharma made graphic drawings about everyday emotions and paired the finished images with writing. She described the process as cathartic and hoped it would help her stay grounded; these are her reflections on the work, not measured outcomes.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.How the artists made the daily prompt their own
The projects suggest several useful ways to think about a creative prompt, without implying that one approach is better than another:
- Build a connected world: Ray’s fantasy-inspired scenes and Narvankar’s witchcraft theme gave individual letterforms a broader narrative or research-led context.
- Start from personal memory: Srinivas’s food illustrations connected familiar subjects with a wish to share their variety.
- Choose a subject with a wider message: Norbhu and Prabhat used the series to address fear and threatened animals, while Lunawara focused on the people who sell food on the street.
- Let materials lead: Joshi’s garden finds and Arora’s texture experiments made the physical or visual qualities of the medium part of the concept.
- Pair image-making with another practice: Lunawara brought photography into his exploration, while Shweta Sharma combined drawings with writing.
As these 2019 profiles show, a repeated format need not produce repeated-looking work. The daily structure could support a story, a study of materials, a record of familiar subjects or a way to explore a larger idea.
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