Quick wins for a faster PC:
Recommended Free Tools
Fix the driver behind crashes, sound loss and screen glitchesFind Drivers →Clear out junk files and repair common Windows errorsFree Scan →
ThatPainter is reader-supported. When you buy through links on our site, we may earn an affiliate commission. Learn More
Content note: This article discusses a 2013 gallery that was marked NSFW and may include sexualized figures, nudity, and adult themes. The collection is an editorial selection of science-fiction-themed pin-up illustrations—not a newly published art book, complete catalogue, or current directory.
Emily Stamm and Charlie Jane Anders presented the gallery for io9/Gizmodo on November 28, 2013. Their description remains a useful guide to its appeal: “They’re sexy flights of fancy, lifted up by playfulness.”
As an Amazon Associate I earn from qualifying purchases.
Do these 3 things before closing this tab:
1Scan for outdated or missing drivers - takes under a minute2Repair Windows errors before they cause bigger problems3Fix the driver behind crashes, sound loss and screen glitchesWhat the 2013 collection actually is
The title belongs to a historical io9/Gizmodo gallery assembled by Emily Stamm and Charlie Jane Anders. It brings together science-fiction pin-up imagery rather than documenting one artist, one franchise, or one consistent medium. Because it was published in 2013, captions, storefronts, image rights, and artist biographies should be treated as historical information unless independently verified today.
The original page encouraged readers to visit the artists’ websites and noted that many offered prints. That was a contemporaneous observation, not a guarantee that any artist still operates the same shop, has stock, or licenses reproductions.
#1 Best Overall
Artists and credits shown with the gallery
The original captions credit the displayed works to the following names. Handles are retained exactly as credited; they should not be expanded into legal names without checking the artists’ own current pages.
- Melon
- Scebiqu
- Quickreaver
- Valzonline
- Michael C. Hayes
- Vandrell
- James LeMay Graphix
- TMirai
- Lord_Sharpie
- Matt Dixon
- ozDuroze
- Simon Breeze
- Lorenzo Sperlonga
- Mancomb Seepwood
- Ramon Villalobos
- ticulin
- alecyl
- Milxart
These credits indicate authorship as presented by the gallery, but they do not establish that every credited portfolio, social account, or shop remains active.
Windows Errors? Fix Them Before They Spread
Repair common Windows errors and clear accumulated junk for a smoother, more stable PC - no reinstall needed.Free scan · no reinstallCrashes, No Sound, or Screen Glitches?
Random freezes, missing sound and display glitches usually trace back to one bad driver. Find and replace yours safely.Free scan · under a minuteRank #2
How the visual tradition works
Science-fiction spectacle
Pin-up composition supplies the pose, glamour, and direct address, while science fiction supplies the setting: imagined technologies, alien worlds, spacecraft, robots, speculative costumes, and pulp-style adventure. The contrast lets an image be knowingly theatrical instead of aiming for documentary realism.
Playfulness alongside eroticism
The gallery’s framing emphasizes fantasy and humor as well as sex appeal. That distinction matters: “pin-up” describes a presentation tradition, not a single level of nudity or a guarantee that every image has the same tone. Individual works can range from retro-styled glamour to overtly adult material.
Pulp and contemporary crossover
Science-fiction pin-up sits between commercial illustration, poster design, comics, fantasy art, and fine-art collecting. Contemporary practitioners may combine several visual languages. For example, Gigi Murakami describes her work as mixing horror, science fiction, vintage pulp aesthetics, and manga influences, and lists an online store. There is no evidence that Murakami contributed to the 2013 gallery; she is a separate contemporary example of the tradition’s continuing overlap.
Related books and collecting routes
The gallery is not itself a book. Readers looking for a physical object should distinguish a broad, mixed-artist image gallery from a monograph, a licensed portfolio, or an original-art purchase.
The Tool Desk
Outbyte PC Repair FREERepair Windows errors before they cause bigger problemsFix Now →Outbyte Driver Updater FREEFix the driver behind crashes, sound loss and screen glitchesFind Drivers →| Option | Scope and period | Format | What is established | What to verify |
|---|---|---|---|---|
| The Alluring Art of Margaret Brundage: Queen of Pulp Pin-Up Art | Single historical artist; pulp-era work | Physical art book | Published by Vanguard/Shasta-Phoenix in 2013; ISBN 1-93433-151-1 | Current edition, listing, and stock |
| Frazetta Gallery Series: Sirens | Single artist; Frank Frazetta pin-up imagery | Publisher-backed book series | American Hero Press describes the series as officially licensed by the Frank Frazetta Estate and Frazetta Art Museum | The planned fall 2025 schedule has elapsed; confirm publication and availability |
| Credited artists’ prints | Contemporary, artist-by-artist | Prints or original art | The 2013 gallery said many artists sold prints | Artist-controlled shop, rights, edition, price, and current stock |
Brundage is the closest historical reading recommendation when the interest is pulp-era pin-up, but her book is not a comprehensive survey of science-fiction pin-up and is not the same collection as the io9 gallery.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.What historical auction prices do—and do not—tell you
Heritage Auctions’ October 17–18, 2014 illustration-art auction produced several notable results reported in its October 22 release:
- Robert McCall, Earth Orbit 98: $245,000.
- Margaret Brundage, The Slithering Shadow: $42,187.
- Four Gil Elvgren pin-up works: $68,750, $59,375, $53,125, and $50,000.
These are individual historical sale results, not current valuations, a market-wide index, or evidence that any image in the 2013 gallery has a comparable price. Condition, provenance, medium, size, rarity, rights, and buyer demand can change an artwork’s value substantially.
How to view, share, or collect the images responsibly
- Use a clear content warning. The original page was marked NSFW; preserve an equally visible warning when linking or reproducing the collection.
- Keep the caption credit attached. Do not separate an image from the credited handle or rewrite a handle as a legal identity without verification.
- Check rights before reuse. A gallery credit is not a reproduction licence. Contact the artist or an authorised representative for permission.
- Verify any purchase directly. Confirm that a shop is artist-controlled or authorised, that the listing is current, and that the edition and shipping terms are clear.
- Separate historical context from current availability. The 2013 print note and the 2014 auction results are records of their time, not guarantees for 2026.
Why the collection still matters
The gallery captures a moment when online illustration communities made science-fiction pin-up easy to discover across personal portfolios, fan cultures, and professional art practice. Its value today is primarily curatorial and historical: it shows how artists adapted the pin-up format to speculative worlds and how that work circulated on the web in the early 2010s. It should be read as a snapshot with named contributors, not as the final word on the genre.
Quick Recap
Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon at the time of purchase will apply.
