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Liu KunKun, a non-professional freelance photographer from Shanghai, won the 11th annual Mobile Photography Awards Grand Prize with a portfolio made on an Apple iPhone 12 Pro Max. Announced on March 2, 2022, the edition showcased work generally described as the best mobile photography of 2021. Entries had to be shot and edited on a smartphone or tablet.
What the 2022 awards actually refer to
The “2022 Mobile Photography Awards” are the announcement and exhibition cycle for the competition’s 11th annual edition. Contemporary coverage, including Time Out’s March 2022 report, describes the winning work as photography from 2021. The distinction matters: the date names the awards cycle, not necessarily the year each photograph was made.
Founded in 2011, the Mobile Photography Awards (MPA) recognizes photography and mobile art made with handheld devices. New Atlas reported that entries had to be both captured and edited on a smartphone or tablet. That means the results represent a complete mobile workflow—framing, timing, processing and sequencing—not simply the quality of a phone’s camera sensor.
The New Atlas presentation arranged 25 photographs across 12 thematic categories. The official MPA announcement identifies KunKun as the 11th MPA Photographer of the Year and emphasizes a consistently excellent body of work rather than one isolated image.
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Grand Prize: Liu KunKun’s geometric city
KunKun’s winning series includes Space City, Sweet, The Virtual City, Man with a Turban, Structure, Walking and The Eye of Heaven. The official MPA judges praised his mastery of geometry and perspective, combined with color and minimalism. The portfolio was shot on an iPhone 12 Pro Max.
Across the set, buildings, pavements and people become interlocking shapes. A figure may be reduced to a small accent in a large field of concrete; a line, shadow or saturated color patch can determine the entire balance of the frame. This is less about demonstrating a particular camera feature than about recognizing a photographable arrangement and waiting for the right person, gesture or coincidence to complete it.
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Category winners
The following names and device labels come from the New Atlas gallery. Where no phone was identified in the published caption, none is supplied here.
| Category | Winning entry | Photographer | Device listed |
|---|---|---|---|
| Architecture | The Observatory | Kuanglong Zhang | iPhone X |
| Street Photography | Where Are You? | Roy Pan | iPhone XS |
| Photo Essay | First place | Vince Keresnyei | Not identified |
| Photo Essay | Second place | Jeff Larason | Not identified |
| Photo Essay | Third place | Alessandra Manzotti | Not identified |
| Macro | Big Bumble | James Peck | Huawei Mate 20 |
| Travel & Transportation | Festival of Colors | Azim Khan Ronnie | Huawei Nova 2i |
| Water | On the Beach | Junbiao Cai | Honor Magic 3 Pro |
| Darkness | Same Time | Wai Ying Kwok | Not identified |
| Landscapes | Holy Stream | Shinya Ithana | Sony Xperia Z5 |
| Silhouettes | Street Cleaner | Jason Liu | iPhone 11 |
Honorable mentions in the 25-image gallery
- Architecture: Outdoor Overwhelmed — Jedrzej Franek; Located in the Waist — Kuanglong Zhang; Praying in the National Mosque — Azim Khan Ronnie.
- Black & White: Space Invader — Benny Lau.
- Landscapes & Wildlife: Wild Ice Pack — Juan Zas Espinosa; Winter Window — Anndrea Lewis; The Mystical World of Kamchatka — Rina Gromova.
- Macro & Details: Caught in the Act — Garrine Tsang.
- Street Photography: Balancing Act (NYC) — Luisa Muhr; Alleyway Views — Emilia Kashfian.
- Travel & Transportation: After the New Year — Lei Zhao.
The phones behind the pictures
The identified devices span the iPhone X, iPhone XS, iPhone 11 and iPhone 12 Pro Max, alongside the Huawei Mate 20, Huawei Nova 2i, Honor Magic 3 Pro and Sony Xperia Z5. That variety is notable, but it is not a controlled comparison. The published coverage supplies no standardized lighting, settings, original files, print tests or laboratory measurements, and several winners’ devices are unknown.
In other words, an award-winning photograph demonstrates what a skilled photographer achieved with a device; it does not establish that all listed phones perform equally or that an older model is automatically a good purchase in 2026. Availability, battery health, software support and regional compatibility also matter.
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What the winners teach about phone photography
Composition beats specification sheets
The strongest images use shape, repetition, negative space, color and perspective before any discussion of megapixels. Look for a clean relationship between subject and background, then wait for a gesture or moving figure to complete it.
Keep the phone ready
Street scenes, travel encounters and fleeting light reward a camera that is already in your hand. Portability is an advantage because it increases the chance of being present at the decisive moment.
Use light and darkness deliberately
Silhouettes and low-light photographs are not merely technical challenges. Exposure can be chosen to simplify a scene, conceal detail or make a pool of illumination carry the narrative.
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Treat color as structure
In a festival scene, a single bright garment or repeated hue can organize the frame. In a minimalist city photograph, restrained color can separate planes and guide the eye.
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Edit for a coherent result
Because the rules allowed editing on a smartphone or tablet, the finished images include mobile post-production. Editing can crop, balance tone and unify a series, but it cannot replace a strong starting composition. Apps such as Lightroom Mobile or Snapseed are options, not requirements.
What this competition cannot prove
The gallery is evidence of artistic possibility, not a laboratory ranking of camera phones. Subjects, timing, perspective, editing choices and the photographer’s experience all influence the result. Nor does the selection show that a phone replaces every interchangeable-lens camera in demanding low light, long focal lengths, large prints or professional file workflows. It shows something narrower and more useful: compelling, exhibition-worthy photographs can be made and finished on mobile devices across architecture, macro, water, landscape, darkness, street work and photo essays.
Viewing and image rights
Use the official MPA announcement and the New Atlas gallery as viewing references. The photographs remain copyrighted works; any reproduction should be licensed or permission-cleared and credited to the photographer and competition. Do not download and republish the gallery without rights clearance.
The Bottom Line
The 2022 Mobile Photography Awards rewarded visual decisions more than hardware prestige. Liu KunKun’s iPhone 12 Pro Max portfolio took the Grand Prize, while the wider results show that timing, geometry, light, color and disciplined editing matter across a surprisingly broad range of phones.
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